OTEO OPEN HOUSE 2026 RESIDENCIES ORLANDO
Afro House / Tech House / House DJ & Producer
Orlando, Florida
OTEO OPEN HOUSE 2026 RESIDENCIES ORLANDO
Orlando, FL
Blending Afro House, Tech House, and pure House music,
OTEO (Alec Pontes) brings a signature energy to Orlando's nightlife.
With residencies at Helena Modern Riviera, Debonair Supperclub,
and peak-hour sets at The H (11PM), he crafts immersive musical journeys.
Driven by deep grooves and soulful rhythms, his sets and productions
under Fish Out of Water Records (FOOWR) connect crowds
across the dancefloor, delivering a premium and unforgettable experience.
OTEO (Alec Pontes) brings Afro House, Tech House, and pure House music to Orlando's nightlife with residencies at Helena Modern Riviera, Debonair, and The H.
From early influences of deep soulful house to modern tech house anthems,
explore the tracks that define OTEO's signature groove.
A curated selection of rhythms, collaborations, and releases
on Fish Out of Water Records (FOOWR) that shape the vibe of
the Open House movement, compiled as a playlist.
Explore the tracks and influences that define OTEO's signature groove, compiled as a playlist.
OTEO weekly rotations in Orlando. Helena Modern Riviera, Debonair Supperclub, and The H.
Professional booking inquiries, performance schedules, and private event curation.
Fish Out Of Water Records. Heavy Tech House, deep grooves, and music releases.
Interactive weekly schedule, monthly gig map, and sector event tracking.
This one's the heartbeat of Open House — my Orlando homecoming. Wall-to-wall Afro House and that warm, hands-up groove I chase every set. Doors open, floor moves, nobody sits down.
My Helena residency at Modern Riviera lives right here. Sun-down to late, rolling Afro and Tech House, the kind of set where the break hits and the whole room inhales together.
FOOWR — Fish Out Of Water Records — is the engine behind all of it. This is the label flexing: heavier Tech House, bigger low end, the sound I A&R and play out first.
Debonair Supperclub nights — dinner-into-dancefloor. I start it smooth and grown, then tip the whole room into House once the plates clear. The crew knows the drill.
Orlando made me. This set is a love letter to my city — the warmth, the mix, the late nights. Afro and House with a Florida pulse running under all of it.
Round two of FOOWR firepower. Same mission — Fish Out Of Water Records, dancefloor-first. Tighter Tech House, more swing, the cuts I test in the booth before anyone else hears them.
The Starstruck set — my festival-leaning gear. Big melodic Afro House, hands in the air, that wide-eyed moment when the drop lands and the room goes starry.
This set is all about the room, not me. I read the floor, follow the energy, and let the House do the talking. Soulful, vocal-leaning, made to make people feel seen.
Up To You is the open-floor set — no script, the night goes where the crowd takes it. Rolling House and Afro Tech, every transition a question to the dancefloor.
Sometimes the room just needs the House. Straight-up, four-on-the-floor, classic-leaning — no tricks, just the groove that's never let me down.
The endless-night set — when the clock disappears and the booth becomes the only room that matters. Deeper, hypnotic Afro and Tech House for the people who never want it to end.
Change The Floor is exactly that — the moment I flip the whole room's energy. Driving Tech House, relentless swing, the transition where everyone suddenly commits.
A stripped-back home session — just me, the decks, and a long-form Afro House journey recorded raw. No crowd, all feel. The way I practice and the way I dream.
The Cure is the big one — my flagship long-form mix, the closest thing I've got to an album. Afro House, Tech House and soulful cuts woven into one continuous ride from open to close.
FOOWR FFF — the label's fast-and-fierce series. Pure dancefloor ammo from Fish Out Of Water Records, the cuts I reach for when the room needs to go up a gear.
Thinkin Us is the warm one — soulful, vocal House for the slow-burn part of the night. The set I play when I want people close, swaying, thinking about somebody.
Low Key Vibes is the after-the-peak set — lights down, tempo eased, deep Afro and dub-leaning House. For the heads who stay when the crowd thins and the real session starts.
My online live set — straight from the booth to the screen. Same energy, no crowd, all the Afro House and House heat I'd bring to a packed room, beamed out to wherever you are.
Orlando Call is me phoning home — a set built for my city's dancers, the ones who showed up before anyone knew the name. Afro House with hometown gratitude all over it.
Hopeless House is the emotional set — bittersweet, vocal, the House that hits you in the chest. Melodic Afro and deep cuts for the feelings the dancefloor doesn't always say out loud.
C.I.Y. — Create It Yourself. My signature self-made set, every blend mine, every transition earned. The OTEO sound distilled: Afro House heart, Tech House spine, House soul.
Runnin Late is the after-hours set — for the night that refuses to end. Driving Tech House, hypnotic loops, the gear I pull out when 2am turns into 'one more hour'.
Light It Up is pure peak-time — the moment I take the room to full brightness. Big Afro House energy, relentless groove, every hand up, every face lit.
Summer Feels is the open-air set — daytime, sunshine, bare feet on a floor. Breezy Afro House and feel-good grooves made for poolsides, rooftops and golden Orlando afternoons.
Red Room is the intimate set — low ceiling, red light, sweat on the walls. Deep, sultry Tech House for the small rooms where the dancefloor and the booth breathe the same air.
Feel Good is the mission statement — a long-form mix with one job: make you feel good. Soulful House, melodic Afro, sunlit grooves stitched into one uninterrupted lift.
Stay Till 4 is for the closers — the people still moving when the staff start stacking chairs. Deep, driving Tech House for the last and best hour of any night.
Now Or Never is the all-in set — no holding back, every record a commitment. Bold House and Afro Tech for the nights you decide to leave nothing in the bag.
Million Stars is the dreamy set — eyes-closed, melodic Afro House under an imaginary open sky. Wide, emotional, the kind of groove that makes a club feel like a desert at night.
Midnight Dream is the witching-hour set — that hazy, dreamlike stretch where deep House blurs into Afro Tech and time stops behaving. Hypnotic and warm in equal measure.
Days We Play is a thank-you to the regulars — the dancers who turn every residency night into a reunion. Joyful, rolling House that celebrates the people who keep showing up.
Cruisin Debonair is the smooth gear of my Supperclub residency — top down, slow roll, grown-folk House. The early-evening pocket before Debonair tips fully into the dancefloor.
Fever Pitch is maximum heat — the set where I push the room past comfortable and into delirious. Relentless Tech House, sweat-soaked, no exits until the lights come up.
The Pavilion set is my open-air, big-stage gear — wide sound, long sightlines, festival breathing room. Anthemic Afro House built for the moment the sun drops and the whole field turns to face the booth.
FOOWR EP 02 — the label's second drop. Fish Out Of Water Records leaning harder into Tech House and Afro Tech, a tight run of dancefloor tools I curated and road-tested myself.
Do Well is the optimist's set — uplifting, vocal-leaning House that wishes the room well. The feel-good record I keep coming back to, and the energy I want people leaving with.
Mirror Night is the reflective set — deep House and Afro Tech for the late hours when the dancefloor turns inward. Smooth, introspective, the soundtrack to your own midnight thoughts.
The H Loop is my 11PM residency at The H — the late-start room where the night actually begins. Hypnotic, looping Tech House that locks in at eleven and doesn't let go till close.
FOOWR EP 01 — where it all started. The first Fish Out Of Water Records release, the moment the label became real. Raw, hungry House and Afro cuts that set the whole tone.
Synapse Live is an origin document — one of the earliest OTEO sets, recorded live before the residencies, before the label. Rough edges, real hunger, the first sparks of the sound.
